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Born on 1 December

1942, at Mitterbach/Erlaufsee at the border of Lower Austria and Styria.

1953–1961   Secondary school with focus on the life sciences, Vienna/Strebersdorf

1961–1965   University course in chemistry

1970–1974   Vienna University of Technology

1966–1969   Angola

1974–1996   employee

from 1996   early retirement due to an eye complaint

1998–2007   development of the PAINTERLY Music – note by note!

  • The VARIATIONS of own paintings and late paintings by Matisse, Klee, Popova etc. were important because they confronted me with problems of how to transfer information (LEV LANDAU’s Rule).
  • The problem of COMPARING disciplines took me via mathematics to dancing and music – and thus to the FOUR-PARAMETER Method.
  • The fact that one must not compare apples with oranges nor notes with colours was learned from Bayrischer Rundfunk and its multi-part series on INTERVALS (Weber-Fechner Law).
  • And, finally, I copied the time-in-plane congruence from Wassily KANDINSKY (from Point and Line to Plane, 1925).

This development took nine years because rather than inventing PAINTED Music I wanted to unfurl painting from its (four) basic parameters. I am not good in maths nor particularly musical and a ninny in rhythm, but when it comes to inventing new constellations and being INNOVATIVE, I am unbeatable.
The PAINTED Music NOTE BY NOTE images have finally been completed on the basis of the NEW colour star. Some of the paintings are truly wonderful. But not a single soul is contacting me, not a sod would like to have a painting made by me. Once again, people – those who should be responding – act like moon faces on the backside of Earth’s companion. Goethe, Runge, Skrjabin, Kandinsky, Max Bill and many more would have been glad for a chance to use this method.




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